The Poetics of Written Space – Handwriting and calligraphy
Venice, Museo Correr
from october 2, 2010 to october 31, 2010

Museo Correr and the Fondazione Musei Civici Veneziani propose an educational itinerary through handwriting which is the synthesis of both traditional and contemporary visual communication.

The exhibition, presented by Monica Dengo, includes handwritten documents from the Museum Correr Library, in particular materials documenting the private and daily use of handwriting over the centuries, along with contemporary artworks of art that have in common the practice of writing by hand as image, bundle of written marks capable of communicating per se.

The show is organized in four parts:

- Historical: manuals, letters and private documents with handwritings from the 1500′s to the 1900′s from the Correr Museum;

- Contemporary: artworks on paper and artist’s books by contemporary artists working with Western, Islamic and Eastern calligraphy. Artists: Kitty Sabatier (France), Benno Aumann (Italy-Germany), Satsuki Hatsushima (England-Japan), Adriana Seri (Italy), Xin Ye (France-China). Hassan Massoudy (France-Iraq), Torsten Kolle (Germany), Mari Bohley (Germany), Cinzia Ruggieri (Italy), Birgit Nass (Germany), Ewan Clayton (England), Brody Neuenshwander (Belgium-USA), Carlo Buffa (Italy), Monica Dengo (Italy-USA), Akar Abdallah (France-Tunisia), Laurent Rebena (France), Michaela Keller (Switzerland), Norio Nagayama (Italy-Japan), Dominique Pinchi (France-Italy);

- Installation by Monica Dengo: I invite you to make the text your own.
Text to touch, smell, listen and feel.

- Workshop: The works of students participating in the calligraphy workshop, held by Monica Dengo, will be exhibited in the show.

THE WORKS ON DISPLAY

Historical section

Luca Pacioli, Divina proportione …, [Venezia, Paganino e Alessandro Paganini, 1509]
Venice, the Correr Museum Library

Sallustio Piobbici, L’arte compendiata del bene, et leggiadramente scrivere …, [Venezia, Francesco Bodio, 1664]
Venice, the Correr Museum Library

Giovanni Battista Palatino
Libro di m. Giovambattista Palatino cittadino romano, nel qual s’insegna a scriver ogni sorte lettera, antica, et moderna, …, [Roma, Antonio Blado, 1553]
Venice, the Correr Museum Library

Sigismondo Fanti
Theorica et pratica perspicacissimi Sigismundi De Fantis ferrariensis in artem mathematice professoris de modo scribendi fabricandique que omnes litterarum species, [Venezia, Giovanni Rosso, 1514]
Venice, the Correr Museum Library

Giovanni Battista Verini
Elementorum litterarum, [Toscolano, Alessandro Paganino, 1527]
Venice, the Correr Museum Library

Giovanni Antonio Tagliente
Lo presente libro insegna la vera arte delo excellente scrivere, …, [Venezia, Francesco Rampazetto, 1560]
Venice, the Correr Museum Library

Raccolta di Lettere, sec XVII ex.
Venice, the Correr Museum Library

Violet Fenton Rava’
Quaderno, autografo dell’A., 1897
Venezia, Museo Correr, Archivio Ravà Fenton, Serie 4, Quaderni, taccuini e appunti di Violet Fenton

Violet Fenton Rava’
Ricettario, autografo dell’A., s.d.
Venice, Museo Correr, Archivio Ravà Fenton, Serie 4, Quaderni, taccuini e appunti di Violet Fenton,

Violet Fenton Rava’
Copialettere, autografo dell’A., 1940
Venice, Museo Correr, Archivio Ravà Fenton, Serie 4, Quaderni, taccuini e appunti di Violet Fenton, fasc. 2, n. 1

Gabriele D’Annunzio
La nave, autografo dell’A., 1908
mm 260×220
Venice, the Correr Museum Library

Contemporary section

Birgit Nass
Words from books, 2010
mixed technique, acriyl colours, collage on canvas, gouache
cm 15×15; 20×20; 50×30

Birgit Nass
The past – The future – Here and Now, 2010
handwritten pages bound in a hardcover book in a wooden box
cm 40x9x10

Birgit Nass
Words from Stones, 2010
handwritten pages bound in a hardcover book and writing on a stone
cm 42,5x16x4

Satsuki Hatsushima
Letter from Gingaso (a life at the japanese traditional house in the village of the mountain), 2009
bookbinding, watercolour
cm 97×62

Torsten Kolle
Mnemosyne (Part I), Book 1, 2010
chinese ink, graphite, collage, copper, Hahnemüleh-paper
cm 40×27,7

Torsten Kolle
Mnemosyne (Part II), Book 2, 2010
chinese ink, graphite, collage, copper, Hahnemüleh-paper
cm 40×27,7

Torsten Kolle
Mnemosyne (Part III), 2010
gouache, Graphite, Hahnemüleh-Paper
cm 108×78

Brody Neuenschwander
Trying to tell you, 2008
collage of rice paper and old documents on canvas, with whitewash and chinese ink
4 canvases
cm 60×60

Brody Neuenschwander
Which emotions do I accept, 2008
collage of rice paper on Rives BFK paper with whitewash, gouache and chinese ink cm 105×75

Brody Neuenschwander
East/West Dictionary, 2008
collage of rice paper and old dictionary pages on Rives BFK
paper, with whitewash, gouache and Chinese ink
cm 105×75

Brody Neuenschwander
The Prophet raves, 2010
collage of rice paper on Rives BFK paper with whitewash, gouache and chinese ink
cm 105×75

Dominique Pinchi
Chrysos – Tomo, 2006
mixed technique: lava, cardboard
cm 31x25x5; cm 31x17x8

Dominique Pinchi
Paroles labyrinthe, 2006
mixed technique: lava, pigments, cardboard
cm 47×53

Dominique Pinchi
Poeme de paroles, 2006
mixed technique: lava, pigments, graphite, cardboard
cm 52,5×46

Dominique Pinchi
D’avant le temps, 2006
mixed technique: lava, pigments, cardbord
cm 38,5×48

Mari Emily Bohley
The Old, 2010
book object with driftwood, coptic binding, mixed techniques on handmade paper
cm 31x13x10

Mari Emily Bohley
The New, 2010
book object with driftwood, concertina structure, mixed techniques on 28 canvases
cm 16×12,5×10

Laurent Rébéna
Traces et rythmes , 2010
Ink on paper
cm 15×46

Laurent Rébéna
Traits 11 – Traits 3
Traits 8 – Traits 5
Traits 4 – Traits 10, 2009
acrilyc on canvas
cm 50×50

Kitty Sabatier
Sans titre, 2010
pigments and acrylics on paper reinforced with fabric
cm 50×127

Kitty Sabatier
Sans titre, 2010
pigments and acrylics on paper reinforced with fabric
cm 50×127

Kitty Sabatier
Sans titre, 2010
pigments and acrylics on paper reinforced with fabric
cm 50×127

Abdallah Akar
D’un ciel à un autre, 2010
mixed technique on canvas
cm 100×65

Abdallah Akar
Helene, quelle pluie…, 2010
mixed technique on canvas
cm 117×74

Abdallah Akar
Le Chant des chants, 2006
mixed technique on paper
cm 150×130

Hassan Massoudy
Le bonheur, 2009
ink and pigments on paper
cm 75×55

Hassan Massoudy
La vie, 2002
ink and pigments on paper
cm 75×55

Hassan Massoudy
Le rềve, 2007
ink and pigments on paper
cm 75×55

Hassan Massoudy
Ibn Arabi, 2010
ink and pigments on paper
cm 37,5×27,5

Adriana Seri
Madre, 2006
chinese ink on
paper, Han character, cursive form Zhuan
cm 133,5×32,5

Adriana Seri
Sutra del cuore, 2008
chinese ink on paper, Han character
cm 135,5×33

Carlo Buffa
Sutra del cuore 1, 2008
ink on paper, glue, Tenshō writing
cm 70×136

Carlo Buffa
Sutra del cuore 2, 2008
ink on paper, Tenshōwriting
cm 70×136

Carlo Buffa
Collage, Frammenti di Tenshō, 2009
ink on paper, glue
cm 55×38

Carlo Buffa
Poesia Tang in Tenshō, 2008
ink on paper
cm 138×35

Norio Nagayama
Sensuale, 2009
ink and gold on paper
cm 80×120

Norio Nagayama
Uomo, 2007
ink on paper
cm 130×132

Cinzia Ruggieri
Alla stessa ora della stessa sera, 2010
pencil
cm 29 x 21

Michaela Keller
Traces, 2007
handmade paper watercolor, gouache
cm 26×33,5

Benno Aumann
Sketch1. The shadows of the ships, 2010
ruling pen, sumi and gouache on paper
cm 56,5×75,5

Benno Aumann
Sketch2. A long brown bar, 2010
ruling pen, sumi and gouache on paper
cm 56,5×75,5

Benno Aumann
Sketch3. Wavelets crumble, 2010
ruling pen, sumi and gouache on paper
cm 56,5×75,5

Benno Aumann
Lost, 2008-2010
ruling pen, sumi on paper, silhouette

Ewan Clayton
Boundaries, a garden in Kyoto, 2010
Text from Boundaries in The art of setting stones by Marc Peter Keane
sumi ink, metal pen on Zerkall paper, bound in handmade paper from Auronville, India
cm 27,5×62

Ewan Clayton
Yo Canto. A flood of tears for Ignacio Sanchez, 2007
A poem by Garcia Lorca
sumi ink, goose quill and the fingers and palms of both hands
cm 76×56

Ewan Clayton
Separation is also association, 2006
Text from Closing the Circle in The art of setting stones by Marc Peter Keane
royal Watercolour Society paper, antique pine soot, Japanese stick ink
cm 77×51

Ye Xin
Baudelaire, 1997
ink on paper
cm 42×28

Installation by Monica Dengo

Monica Dengo
I invite you to make the text your own, 2010
10 open pages, each one 66×97 cm; 1 / book in loose sheets 50×66 cm; 1 /photo in collaboration with the photographer Marco Ambrosi
paper, graphite, ink, photography
cm 70×100

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27 world premieres, 15 Italian premieres, 77 composers, 31 events including concerts, installations, audio-visual performances, choral music as well as workshops, seminars, meetings throughout the entire ten-day program, from September 23 to October 2 in Venice: these are the figures behind the 54th International Festival of Contemporary Music, titled Don Giovanni and the man of stone, and directed by Luca Francesconi.

In continuity with the commitment of the Biennale di Venezia towards the younger generations, the Music Festival will become the stage for prestigious groups but also for young and very young professional ensembles, such as MDI, the two wind and percussion ensembles from the Malmö Music Academy, and L’arsenale, that was asked to perform one of the most important pieces in the history of the Festival, Quando stanno morendo. Diario polacco n.2 by Luigi Nono, presented at the 1982 Music Biennale. This is the reason why the Festival promotes opportunities to discover and encourage the talent of the new generations, and has invited student artists and musicians – from the Conservatorio Benedetto Marcello and the Accademia di Belle Arti in Venice – to measure their skills and stimulate their creative originality in contact with the professional world of composers, singers, choirs, musicians, actors, set designers and directors, all involved in producing the inaugural event, Don Giovanni a Venezia.

Titled Don Giovanni and the man of stone, the Festival refers not only to the famous opera by Mozart, but to one of the central myths of western culture, the myth of Don Giovanni: within the conflict between human finiteness and its aspiration to eternity, between the body and the spirit, reverberates the relationship between the immortality of the work of art and the inexorable breath of time, between the written and the oral, between tradition and modernity. These themes weave through the 54th International Festival of Contemporary Music and find their synthesis in the opening event, the opera-installation Don Giovanni a Venezia.

Japanese advertising graphics has a time-honoured, inventive and rich tradition, unlike that of any other country. On this premise, in the St. Marks’ Square Gallery, the Bevilacqua La Masa Foundation is hosting the exhibition GRAPHIC DESIGN FROM JAPAN. 100 POSTERS 2001-2010. One hundred posters, selected from amongst the thousands of works submitted each year for the most prestigious awards, representing the best of Japanese graphics over the last ten years.

The tragedy of Hiroshima and of Nagasaki is remembered annually and with a great sense of responsibility by the major Japanese graphic designers with a series of posters entitled “Hiroshima Appeals”, one of the most significant awareness-raising campaigns in the sphere of graphic art. Some of these posters, the most representative ones from the last ten years, have been selected for the exhibition in memory of the thousands of direct and indirect victims of the explosion of the two atomic bombs.

The exhibition, featuring the most significant works produced over the last ten years both by great masters and more recent artists of promise, includes posters selected by a committee made up of two contemporary masters of graphic art, Kazumasa Nagai and Shin Matsunaga, in collaboration with the International Hokusai Research Centre, and are representative of the works produced by Tokyo’s main associations of graphic designers and art directors, such as the Art Directors’ Club (ADC), the Japan Grafic Designers’ Association (JAGDA) and the Type Directors Club (TDC). The initiative thus becomes a compendium not only of Japanese graphic creativity but also of the long and fruitful working relationship and cultural promotion established between Italy and Japan in this field for over thirty

After the success of the previous edition, the Flight Show-Festival of the Air is back again. The Expo Venice society, with the support of Prima Aviation, is proposing 3 days, from the 24th until the 26th of September, at Nicelli Airport, a programme chock-full of events.



Along with the exhibition areas and meetings, there will be the thrilling air show called Air Extreme, in which some of the best European pilots will execute flips and daring maneuvres, exciting the public and competing against each other in the freestyle tournament. What is more, on this special occasion, Nicelli Airport at Lido di Venezia will be open to General Aviation traffic and to ULM.

In Venedig findet das bereits zum 32. Mal veranstaltete und jedermann zugängliche Rennen “Su e Zo per i Ponti” statt.

Die Veranstaltung wendet sich an: Jung und Alt und bietet den Teilnehmern die Möglichkeit, einen Tag im Zeichen des Sports, der Freundschaft und der Solidarität zu verbringen.
Zur Verfügung stehen drei verschiedene Routen, die die Bedürfnisse und Anforderungen der durchtrainierten und der weniger erfahrenen Läufer zufrieden stellen.
Der zauberhafte venezianische Ort bildet das Umfeld dieses Rennens, das durch die Straßen der ganzen Stadt verläuft. Das Rennen startet auf dem Markusplatz bzw. für die Kindergärten und Grundschulen am Bahnhof S. Lucia. Ziel für alle ist hingegen der Markusplatz.
Gemäß der Tradition wird jeglicher eventueller Gewinn, der mit dieser Veranstaltung erzielt wird, zu Wohltätigkeitszwecken verwendet.
Die Einschreibungen können von jedermann an den entsprechenden Verkaufsstellen vorgenommen werden. Zudem besteht die Möglichkeit, sich am Tag der Veranstaltung einzuschreiben, sofern noch Teilnahmeschilder vorhanden sind.

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